Shot Order
|
Screenshot
|
Type of shot
|
Connotation
|
1
|
Working clogs,
Institution – ‘Animated Lionsgate’
|
Working clogs connote clockwork and the minute details which shows
the integrity of the brand.
|
|
2
|
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Fiery themed background – ‘Lionsgate’
Fade to black
|
Eruption styled background connote an angry sky with smoke or a type
of ‘hell’.
|
3
|
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Blood starts seeping over pages – revealing old Egyptian engravings
Loud string music with percussion
|
Blood spills connote a spreading of blood from a body, as if from a
gun wound or stab.
|
4
|
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Egyptian man holding his arms out: First credits appear, hierarchy of
importance
‘LIONSGATE presents’.
Lionsgate in much larger font and written in red.
|
Egyptian man holding out his arms connote a strong religious belief
as if he is praying or in hope of something. This creates a solemn and sombre
tone
|
5
|
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Camera continues to pan around the screen. Body being cremated as if
dead, being watched over by others
|
The attention being given to the body on the table implies that he is
either in grave danger or dead. The conserving people, bent and arms out in
despair connote this victim was loved and that what has happened is an
atrocity.
|
6
|
![]() |
‘A MUTANT ENEMY PRODUCTION’ – More credits of producing company ‘Mutant
Entertainment’
Hooded figure almost celebrating over dead body.
|
Hooded figure connotes a mysterious antagonist.
Arms in the air connote a celebration of victory or praise.
|
7
|
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Name of producer – Andrew Goddard’
over inferno themed massacre
|
Goddard – in high importance, inferno themed massacre connotes a
catastrophe or massive human disaster.
|
8
|
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Extremely rapid pan to contradicting, modernised billboard styled
title.
Coffee reference completely irrelevant to previous blood themed
splatters.
Contradicting colours (Orange and Black)
(Blue and white)
|
San-serif writing connotes a modern era, juxtaposes previous images
of Egyptian era.
Contradicting colours (Orange and Black) – hell
(Blue and white) – Sunny sky with lack of clouds, relaxing, paradisiacal
|
Monday, 7 December 2015
JB: Shot-by-Shot analysis - Cabin in the Woods (Goddard, 2012)
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